score
The film's music, synthesised and baked as one 94-second clip.
score
The film's music, synthesised and baked as one 94-second clip.
bake(force) writes chaffScore.soundClip next to the foley clips; the recipe
for every voice is in init.luau, so a later pass re-derives the whole score by
calling it again rather than by editing an audio file.
build(parent) / reset() / frame(t) are driven from demo.chaff.audio.sound,
which owns the mix. The clip is as long as the film, so it is cued ONCE at
t = 0 and never looped: its position in the file is its position in the film.
A seekTo does not move it — that is the one thing to know when inspecting a
single shot instead of watching the picture through.
Three movements, on the rule the foley follows: in a vacuum nothing arrives through air, so nothing here has air in it.
| I | 0:00-0:26 | 25 Hz hull groan beating against itself, a strobe relay every 2.4 s, and one cello harmonic as the sun-bar crosses at 0:07 |
| II | 0:26-0:66 | the report as a hammer blow through the frame, ringing a semitone lower on each of the sixteen rounds; a granular grain bed; drone pairs beating faster as they close; eleven of them waking up a whole-tone ladder at 0:45 |
| III | 0:66-0:94 | everything conducted stripped away, a choral pad in open fifths rising from nothing and resolving major as the visor clears at 0:88. No percussion after 0:79 |
Scoped to this part · feeds back into the world's score.