art.ui.sigils — the marks on every screen

Every piece of art in The Acceding's interface, as inline SVG strings. This module touches nothing in the world: it is a table the screens paint.

• glyph[id] — one 64 × 64 mark per word. A suit's giving and withholding words are drawn as the same figure turned against itself, so the vocabulary is learned by silhouette before it is learned by name: a lintel with its stem pointing down (KNEEL) against one pointing up (RISE), a vessel closed over (DROWN) against one tipped out (POUR), a shackle meeting its post (SEAL) against one swung clear (OPEN), a cartouche holding a name (NAME) against one coming apart into salt (FORGET).
• seal[suit] — the four alchemical marks, because the fiction is a machine in a church and these are the marks a diocese would have stamped on it: fire over a bar for ASH, the water triangle, the mars glyph for IRON, the salt circle.
• rosette — the title mark: nine teeth for nine gates, a verdigris ring, and the fire inside it.
• crown / sealed — the two endings.
• rule, socket, speak, pause, slip — the furniture.

Almost every mark paints with currentColor, so the widget's CSS color tints it and one sigil serves the porcelain, the ember and the blood states without a second copy. forGlyph(id) and forSuit(id) answer with the socket mark rather than nil for anything unknown.

The few marks that carry their own gradients state them gradientUnits="userSpaceOnUse". An objectBoundingBox gradient on a zero-area path — a straight rule, a hairline — resolves to no paint at all, and the shape silently draws nothing.