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impact-and-audio: four commitments that land differently, a lossless bus, and a lawn with places in it The outline flash drew as an orange rectangle in the grass because a fencer is eighteen separate boxes and every one of them was rimmed. A per-model rim on a part that stands ON the lawn draws its rim IN the lawn, and the fence panel drew a rectangle in the air beside the man. The flash marks the body now, skipping what a fencer stands on and what they are holding, by name - a rig part's position and scale are rewritten every frame by fencer_body.pose, so a geometric gate answers differently depending on which frame you ask it. Over 12 seconds and five touches the only models that ever carried a rim were the eleven body parts; panel, shoes, stockings and legs never once. One PROFILE row per commitment drives recoil, spin, shove, hitstop, camera, dust and sound. Only a sweep turns the struck fencer off the line and lands on panel_crunch; only a lunge gives up three times the ground and tears a grit trail from the back foot to the contact; a thrust is a narrow plume and is over; a riposte rings. Which one landed is parsed out of lastExchange, so a fifth commitment gets the default weight and says so rather than being mis-sold. SHORT and CROWDED never reach the bus - the umpire writes their record and returns - so fx derives both. Their feedback is built from the opposite parts of the vocabulary from a touch on purpose: the reaction is on the attacker, there is no hitstop, no flash and no rim, and the shape left behind is a flat scuff disc lying on the piste. The reader drains fxQueue and counts fxSeq against what it took, so the difference is exactly what never arrived: 990 missed before this round, 0 over two clean bouts driven by real key presses. Twelve new synthesised clips give the lawn places. The player's orchard at the west end and the neighbour's walled end at the east crossfade on where the fight has got to; the bell hangs on the garden wall and the wall gives it back 0.40 s later; the umpire walks the piste and has a voice, built from a new formant primitive. Footfall knows the raked gravel of the piste from the spoil thrown out around a driven post. probe_tone is gone. Everything was tuned at a measured 104 ms frame, 9.6 fps, and every window is in real seconds so it survives the frame rate coming up. DuelFx costs 0.48 ms under driven play against 1.56 ms at the start of the round.
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