reaction
The Mother Liquor film's Reaction stage: the flask, the solution, the drop, the caustic, and the whole Act III crystal set
reaction
The Mother Liquor film's Reaction stage: the flask, the solution, the drop, the caustic, and the whole Act III crystal set
One number, concentration, drives the entire colour cascade: 0 clear, 0.5 amber, 1 violet. It is not a tint — the liquid shader takes the chord the view ray cuts through the body of solution and attenuates the scene behind it over that distance, so raising the number darkens the middle of the flask far faster than the rim, and the luminescence, the caustic on the epoxy and the light the flask throws into the room all read off the same value.
Moving: the stir bar spins and holds a vortex dimple in the surface; the burette swells a drop, necks it, drops it and rings the surface where it lands; the meniscus climbs the glass; the colour front blooms out of the impact point and is dragged into a spiral; the caustic crawls; and forty metres under the floor a seed nucleates and throws a lattice that takes the frame.
Everything visible is a pure function of film time. applyAt(t) is that function and tick is a call to it, so a held frame can be driven by hand.
Serves shots 3, 4, 10, 11, 12, 13, 14, 15.
Scoped to this part · feeds back into the world's score.